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pokemon acrylic booster box display Acrylic Booster Box Case (3 Pack) – TCGHaloKey Features: 3 Acrylic Pokemon Booster Box Cases Per Order Dimensions 5. 4"L x 4. 9"W x 3. 1"H 5mm Thick Acrylic With Proprietary Sliding Magnetic Lid LUCITE ACRYLIC! UV PROTECTIVE, CRYSTAL CLEAR, ULTRA THICK all lucite Is acrylic, but not all acrylic is lucite, LUCITE is known as the HIGHER QUALITY VERSION OF ACYRLIC resin that is heavier, clearer, UV protective, less easy to scratch, water resistant, and more durable; we went all out on our pokemon
Key Features:
- 3 Acrylic Pokemon Booster Box Cases Per Order
- Dimensions 5.4"L x 4.9"W x 3.1"H
- 5mm Thick Acrylic With Proprietary Sliding Magnetic Lid
- 🚨LUCITE ACRYLIC! UV PROTECTIVE, CRYSTAL CLEAR, ULTRA THICK - all lucite Is acrylic, but not all acrylic is lucite, LUCITE is known as the HIGHER-QUALITY VERSION OF ACYRLIC resin that is heavier, clearer, UV protective, less easy to scratch, water resistant, and more durable; we went all out on our pokemon acrylic card box with 6mm THICK LUCITE ACRYLIC on the sliding magnetic lid and 5mm on all other sides
- 🚨 THE PERFECT FIT - DESIGNED BY COLLECTORS FOR COLLECTORS - We've tested several pokemon display case box sizes to ensure your booster boxes will be protected in our 5mm THICK LUCITE ACRYLIC CASE; your booster box won't have too much room to move around excessively, but also enough room so the shrink wrap of your booster won't be damaged when the booster is placed into our case
- 🚨 KEEP YOUR BOXES FROM FALLING OUT - Our Steady Multi-Point design UTILIZES A COMBINATION SLIDING LID AND MAGNETS; we tested several designs and competitors' and noticed the lid of the pokemon plastic display case kept falling off with the slightest touch or tumble, knowing we wouldn’t want our valuable boxes to be damaged we went to the drawing board and came up with the ideal solution; We’ve also included 12 rubber feet so your pokemon booster case doesn’t slide around
- 🚨 HIGH QUALITY YOU NEED, PRICED HOW YOU WANT - We packaged our acrylic boxes for display in sets of 3 and PUSHED THE SAVING TO YOU so that you can protect your entire collection without having to compromise on quality; We understand as a collector you’ve spent thousands on your collection and want your display to reflect your collection's value; we used the best materials so your boxes are displayed beautifully and are well protected with our optimized design
- 🚨 OUR PROMISE TO YOU - We are so confident in the design of our trading card display case that we offer a 1 month manufacturer guarantee; if you are unsatisfied for any reason we will exchange your acrylic box for cards so this is the last booster box case protector acrylic you will ever need to buy
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4.1 ★★★★★
Based on 1798 reviews
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Product Reviews
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
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Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017